Yesterday

Dune Grass

yesterday was hot
but today the fog came
prowling
over the dunes, slipping
off the rooftops and
around corners
softening everything

we left doors and windows open
until
even the stuffy corners held the promise
of Fall

Image by Robin Anderson

The Perverseness of Blackberries

He tried to be a good neighbor but the guy next door was a challenge.  His own yard was pristine, weed free, bark dusted.  But at the fence a blackberry intruded, snaking its prickly way into his suburban paradise.  He cut it back, it returned.  Again and again.  Finally, hoe in hand, he walked next door requesting access to remove the briar at its source.  Permission granted, smirkingly.  A ten minute search at the property line yielded a leafless  thread of vine.  The full glory of the pest only manifested itself on his side of the fence.

Image by Molly Francis via Unsplash.com

Mr. Crow Takes a Walk

Take a walk they said, you’ll like it they said, something different, a new point of view they said.  So I’m walkin’ here, I’m  walkin’ there.  Always late, missin’ out on the  best food, the best views.  But ya know what, I like it.  Givin’ the wings a rest.  Takin’ my time.

Thing is, I’ve forgotten how to fly.

Image by Gio Diani via Unsplash

 

She Wants

She wants
to walk through the silver rain
into one of his pictures
and live there instead of here.

Without his light
her own life seems sadly
underexposed.

Image by Chris Anderson courtesy of the Estate of Chris Anderson

Conversation

“How was your walk?” he asked.

“Dumb and boring,” she muttered.

“Your mood?”

“Sad.”

“Your attitude?”

“Unreasonable and self-indulgent.”

“I’ll leave you alone, then.”  He turned to go.

“No.  Wait.”

Image by Alex Ronsdorf via Unsplash.com

Untitled

HAPPY ANNIVERSARY TO THE NIGHT MAIL

The Night Mail launched on May 12, 2017 and we are happy to celebrate our first anniversary by republishing two of our stories with new illustrations PLUS a brand new short screenplay.  Hannah Fulop, our website designer, created the delightful graphic art for these three works.

King Gulch Confidential (New)

EXT., HALLWAY/OUTSIDE SMALL BUILDING, DAY

Detective Andrew Tassel, young, new on job, squares his shoulders before entering outer room of the Morgue. Gives himself a little pep-talk.

ANDREW

Okay, Drew, you can do this. Yes, it’s your first murder, yes, you’re new on the job.

Sign on the wall instructs him to put on “sterile suit” hanging on wall and gloves. Also tells him to leave all phones and electronic devices in basket on counter. He does this while continuing the pep talk.

ANDREW (CONT’D)

But this is a frickin’ one horse town. And you have a degree, a degree in Criminology. Use your head. You probably know more forensics than this podunk doctor. Let’s just get this over quickly.

He opens the door and enters main room of Morgue.

INT., MORGUE, DAY

Body of KATHERINE FEATHER on slab, we see her bare feet and head. The rest of the body is draped. Medical Examiner ISAIAH CRANE examines the feet as Andrew enters. CRANE is a tall, thin, slightly morose man, given to folding his hands in front of his chest while speaking. His speech is cryptic, punctuated by the occasional inappropriate smile.

ANDREW

Hi. You are . . .?

CRANE

Isaiah Crane, M.D., J.D., Ph.D.

(turning)

Your M.E. You can call me Dr. Crane.

ANDREW

Hello. Hi. I’m Andrew Tassel. Detective Andrew Tassel.

CRANE

Welcome to King Gulch. How can I help you?

Andrew glances at the body as CRANE continues to examine lower extremities. He retches slightly.

CRANE (CONT’D)

What? Did you say something?

ANDREW

No, nothing. So, Dr. Crane can you give me any information about Ms. Feather’s death?

CRANE

Yes. . .

ANDREW

(impatient)

Well . . . Your report?

CRANE

. . . isn’t complete yet.

ANDREW

What? What am I doing here? You called me, said I should come over.

CRANE

I thought we should meet.

ANDREW

Really? Like I don’t have enough to do? Okay, as long as I’m here, how about a preview?

CRANE

I don’t do previews . . . But I’ll humor you since you’re new. Death occurred at approximately 11pm. Cause of death was asphyxia. But the blood work isn’t complete. The discoloration and edema of the feet and ankles I can’t figure out yet.

ANDREW

Great. How can give me a time of death when you don’t even know what she died of? You’re wasting MY time.

CRANE

I’m wasting your time? Listen, sonny, I’m not only the ME in this county, I’m the only doctor, too. You were the one who wanted me to get this autopsy done. I’d rather be delivering a baby somewhere.

ANDREW

Hey! Out here there have to be more deaths than births.

CRANE

Natural deaths, but not . . . Murder!

Rhubarb (ReDux)

Heat and dust.  The little girl kicked a stone down the road.  No fair!  Sent to the store twice in one day, a quarter clutched in her small, sweaty hand.

At the corner the old woman with the sun hat still worked in her yard.  This morning she’d been clipping roses, now she was cutting rhubarb with a sharp knife.  Whack! at the ground. Whack! again at the top.  A pile of shiny red stalks at her feet, huge wilting leaves heaped on the grass.

Little Girl put her head down and walked faster.  Too late.  “Barbara Jayne!  Would you like to take some rhubarb to your mother?”  “No!  I hafta go to the store!”  She broke into a run.  “Your mother makes such lovely pies.”

Little Girl ran faster down the long hill.  She stopped at the crossing, hopped into the street as a car horn blared, raced to the curb and up the steps to the store.  Inside it was stuffy but cooler.  The fat storeman smoked at the back counter, looked up from his newspaper.  “Back again, huh?”  Little Girl laid the quarter on the counter.   “Loaf of bread, quart of milk.”  The storeman’s eyebrow shot up.  “Please!”

He fetched the milk from the icebox, the bread from the bin, took the quarter.  “You got change comin’ or do you want some candy?”  “No!”  Little Girl grabbed the groceries.  “Ma says put it on her account.”  She slammed out the door, into the blinding afternoon.

The hill was steeper now that she was walking up it.  She was thirsty, should have bought a soda.  But Sister would have seen the bottle and told on her.  Pooh.  She stopped, tried to put the loaf of bread on her head for shade.  It wouldn’t stay, dropped in the dusty road.  A car was coming!  She picked up the loaf, wiped the package clean on her dress and turned her back on the swirl of dust stirred up by the passing auto.

By the time she reached the top of the hill, Little Girl thought a drink of milk might be a good idea.  Nope.  She’d be in trouble with Sister for opening the bottle.

At the corner, Old Woman had disappeared from her yard, the rhubarb stalks were gone, too.  But the big green leaves still lay on the grass.  Little Girl looked up and down the road.  She looked at Old Woman’s house.  No one.  Setting the milk and bread at the side of the road, she picked up a rhubarb leaf, plonked it on her head.  Cool relief!

Little Girl walked toward home, remembering, in the nick of time, to turn back and fetch the bread and milk from the roadside.

“Hurry up, slow poke!  That milk will be curdled by the time you get in here.”  Sister stood on the porch.  “What do you have on your head?”  Ma stood at the kitchen window, laughing.

“Sun hat!”  Little Girl tipped her head back, stuck out her tongue.

Sister bounded off the porch, jerked the milk and bread out of Little Girl’s hands.  “Come on!  Ma’s gonna make a rhubarb pie for dinner.  You gotta go to the store for butter.”

 

 

Images designed by Hannah Fulop